From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.
Clever and unpredictable, two-time Pulitzer finalist Robert Ariail skewers politicians on both sides of the ideological fence with award-winning cartoons drawn for the Spartanburg, S.C., Herald-Journal.
Clay Jones, who was formerly represented by Creators Syndicate, is now self-syndicating his cartoons nationally. He was previously on staff with the Free Lance-Star in Fredericksburg, Va., and the Star-Advertiser in Honolulu. Clay is an independent who points out the absurdity in the absurd in political and social issues. He believes humor is as much a tool as pen and ink to get his point across. He's been making readers laugh and become infuriated since 1990.
Pulitzer Prize-winning editorial cartoonist for The Washington Post.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Known for his wry sense of humor and thought provoking commentary, nationally syndicated editorial cartoonist Walt Handelsman attacks the pressing issues of the times. His entertaining and insightful cartoons cover topics ranging from national and local politics to social concerns.
Rob Rogers is the award-winning editorial cartoonist for the Pittsburgh Post-Gazette. He is currently serving as board president of the ToonSeum, a cartoon museum in Pittsburgh, Pennsylvania.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."