Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
Two-time Pulitzer Prize-winner Steve Breen is fast developing a reputation for provocative political cartoons that have captured the attention of some of the nation's premier publications. His cartoons regularly appear in The New York Times, USA Today, Newsweek and US News and World Report. His comic strip, Grand Avenue, appears in more than 150 newspapers across the country.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Jeff Danziger provides a scathing international take on politics, finance, and everything else you aren’t allowed to discuss at the dinner table. Combining spot-on caricatures with razor-sharp writing, this feature will make you listen a little more closely to what they tell you on the news.
Lalo Alcaraz, award-winning editorial cartoonist and Latino journalist, captures the essence of the country's changing cultural and political landscape. Alcaraz's work appears in newspapers around the country, including LA Weekly and La Opinion.
Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
A Pulitzer Prize-winning editorial cartoonist, Davies cuts to the chase on every major issue, deftly penetrating the spin and obfuscation to show readers what's really at the heart. His caustic wit combines with a strong moral sensibility to render the complex comprehensible.
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.