Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.
Lalo Alcaraz, award-winning editorial cartoonist and Latino journalist, captures the essence of the country's changing cultural and political landscape. Alcaraz's work appears in newspapers around the country, including LA Weekly and La Opinion.
Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
Known for his wry sense of humor and thought provoking commentary, nationally syndicated editorial cartoonist Walt Handelsman attacks the pressing issues of the times. His entertaining and insightful cartoons cover topics ranging from national and local politics to social concerns.
Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
Joel Pett is a three-time finalist for Pulitzer Prize for cartooning. He won the award in 2000. He joined Lexington Herald-Leader in 1984 and USAToday as contributing cartoonist in 2002.
Gary Varvel is the editorial cartoonist for The Indianapolis Star. His cartoons are nationally syndicated through Creators Syndicate and have appeared on CNN and in Newsweek, The New York Times, USA Today, Washington Times, National Review, World magazine and Sports Illustrated.
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.