Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis
The most beloved comic strip in history is an American cultural icon.
In the days immediately before the digital photography revolution, Bee works as a photo-finishing technician in a one-hour lab in lower Manhattan. To amuse herself, she duplicates—for her own collection—any titillating photographs that happen to pass through her hands. When pictures of a naked corpse are left for processing, Bee’s curiosity goes into high gear. "...Like a Nancy Drew mystery adapted by Brian de Palma...He's a great illustrator, and he tells a convoluted story with economy and flair..." —Nick Hornby, The New York Times “Weirdness abounds in Shutterbug Follies—a giddy, splendid weirdness that makes the book a page-turner…It sits comfortably on a shelf between Daniel Clowes’s Caricature and Kim Deitch’s Boulevard of Broken Dreams.” —Marc Weidenbaum, The Comics Journal ➜ Email Jason Little This comic updates Monday & Thursday
Monty Montahue, the brainy, bumbling bachelor who's unlucky in work and love, is the star of this suburbia-spoofing, time-traveling comic strip by Jim Meddick. Monty's quirky adventures often involve his pal Moondog, his hairless cat, Fleshy, trusty cyborg, EB3, and mad scientist, Doc.
"Once every 5 or 10 years, a new comic feature emerges that's truly unique, breaking the mold of the tired, formulaic pack that populates most of the comics page. Mike Du Jour is such a feature. The art alone is a joy to look at, bringing a smile to your face and making you linger on it. That alone makes it special in today's comic field, but coupled with Mike Lester's whimsical, unpredictable wit, MDJ is a daily must-read. Mike Lester is truly a master of comic art." —Wiley Miller, Non Sequitur
Mike du Jour
La Cucaracha is a unique strip that provides a view of the world through the lens of its Latino characters and the mind of acclaimed creator Lalo Alcaraz, whose experiences growing up on the U.S./Mexico border inform the satirical wit of the strip.
Created by Brad Anderson, the classic comic canine has delighted newspaper readers since 1954. Marm lives with the Winslows, who have what it takes to run with the Big Dog, usually with a minimum of destruction. Sunday strips feature letters from readers about their pets.
Through Fowl Language, cartoonist Brian Gordon draws on his trials and tribulations of raising two small children. By poking fun at the daily tedium and frustrations of parenting, he hopes to give comfort to parents who are losing their minds just as quickly as he is. Visit the official website!
Recently widowed Lola moves in with her son, Ray, and his family at his request. The potential disasters of Lola living with her anally retentive adult son and family provide the backdrop for a hilarious story about life. Life according to Lola, that is. Lola is a witty sharpshooter who’s too busy living life to the fullest to worry about political correctness, exercise and proper diet. She’s fiercely independent and struggles with having to live under Ray’s rules…so she doesn’t. A wicked sense of humor and blunt, but often heart-warming honesty are Lola’s tools of trade.