At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.
Joe Heller has been the staff editorial cartoonist for the Green Bay Press-Gazette since 1985. His cartoons appear in more than 350 publications, making him the most self-syndicated cartoonist in the nation.
A Pulitzer Prize-winning editorial cartoonist, Davies cuts to the chase on every major issue, deftly penetrating the spin and obfuscation to show readers what's really at the heart. His caustic wit combines with a strong moral sensibility to render the complex comprehensible.
Known for his wry sense of humor and thought provoking commentary, nationally syndicated editorial cartoonist Walt Handelsman attacks the pressing issues of the times. His entertaining and insightful cartoons cover topics ranging from national and local politics to social concerns.
Clever and unpredictable, two-time Pulitzer finalist Robert Ariail skewers politicians on both sides of the ideological fence with award-winning cartoons drawn for the Spartanburg, S.C., Herald-Journal.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.