Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.
Two-time Pulitzer Prize-winner Steve Breen is fast developing a reputation for provocative political cartoons that have captured the attention of some of the nation's premier publications. His cartoons regularly appear in The New York Times, USA Today, Newsweek and US News and World Report. His comic strip, Grand Avenue, appears in more than 150 newspapers across the country.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
Joe Heller has been the staff editorial cartoonist for the Green Bay Press-Gazette since 1985. His cartoons appear in more than 350 publications, making him the most self-syndicated cartoonist in the nation.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."