According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
Jen Sorensen has been doing a weekly editorial comic since 1998. Since its start, she has won numerous awards (including seven from the Association of Alternative Newsweeklies) and was a finalist for the Herblock Prize in 2012. In 2013, Sorensen won the prestigious Reuben Award in the Editorial Cartoon division. Her work has appeared in the Village Voice, L.A. Times, Daily Kos, MAD Magazine, Nickelodeon Magazine and many, many more. Her art is vibrant and precise, and her commentary is razor sharp. Populated by recurring characters and a caustic wit, this is not a comic for the fainthearted.
Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
If an image is worth a thousand words, no one says it more eloquently than Kerry Waghorn. Drawn (no pun intended) from the headlines, Waghorn creates illustrations from national news, international news and the entertainment/sports world.
Faces of the News by Kerry Waghorn
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.