Signe Wilkinson's honors include the 1992 Pulitzer Prize for editorial cartooning (the first woman to win this award), the 1997, 2001 and 2007 Overseas Press Club Award, the 2002 RFK Award and she has the distinction of having been named "the Pennsylvania state vegetable substitute" by the former speaker of the Pennsylvania House of Representatives. Her cartoons are syndicated by the Washington Post Writers Group.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
Joel Pett is a three-time finalist for Pulitzer Prize for cartooning. He won the award in 2000. He joined Lexington Herald-Leader in 1984 and USAToday as contributing cartoonist in 2002.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Clever and unpredictable, two-time Pulitzer finalist Robert Ariail skewers politicians on both sides of the ideological fence with award-winning cartoons drawn for the Spartanburg, S.C., Herald-Journal.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
Staff cartoonist for the Boston Herald since 1986, Holbert serves up solid conservative commentary, delivered with a smile.
Lalo Alcaraz, award-winning editorial cartoonist and Latino journalist, captures the essence of the country's changing cultural and political landscape. Alcaraz's work appears in newspapers around the country, including LA Weekly and La Opinion.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.