Poor Ziggy. He’s perpetually one step behind, one nickel short, one lane away from the fast lane. But we love him for it, because everyone feels like Ziggy now and then.
Tom Wilson & Tom II
Pickles, syndicated by The Washington Post Writers Group for more than 15 years, tells the story of Earl and Opal Pickles as they enjoy their golden years surrounded by friends and family. A perennial favorite with readers of all ages, Pickles has topped comics polls across the nation again and again, and was named the best comic strip of 2001 by the National Cartoonists’ Society.
Mark Buford's Scary Gary presents an all-too-common problem: vampires in the suburbs. But this vampire isn't out for blood; Gary has turned over a new leaf. Hanging up his cape for good, Gary takes up residence in a quiet community, dragging his less-than-thrilled assistant, Leopold, with him. While Gary embraces the serenity of suburban life, Leopold is always cooking up one plan or another to terrorize the neighborhood. Scary Gary is syndicated by Creators Syndicate.
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis
This idiosyncratic single-panel strip takes bizarre and unexpected detours through pop culture and modern society, delighting in witty wordplay, artistic absurdity, and puns so outrageous you'll have to laugh.
Most children would be terrified by monsters under the bed, rogue cyborgs, destructive aliens and dicey nuclear experiments. But Lio is not your average kid. Mark Tatulli renders this pantomime strip in a pen-and-ink style that matches the strips' dark humor and imaginative spirit.
La Cucaracha is a unique strip that provides a view of the world through the lens of its Latino characters and the mind of acclaimed creator Lalo Alcaraz, whose experiences growing up on the U.S./Mexico border inform the satirical wit of the strip.
Follow Rob Harrell's hilarious and true-to-life work-at-home dad, Adam, as he chases deadlines, family bliss and the perfect latte.
Ink Pen: the insider’s look at the seedy underbelly of cartoon character employment. Find out what happened to loveable Bixby the Rat! Witness the struggles of Ham Hock, the talking pig, as he tries to break into a business that sees him as nothing more than a slab of meat. Meet (briefly) the plucky sidekicks, thrust into danger by careless superheroes and the villains they duel.
The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart