Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
Living in an enchanted forest with surrealistic landscapes, the engaging characters of Broom Hilda happily have no connection with reality. Other comic characters are extensions or distortions of reality, but Broom Hilda deals in pure fantasy, making the strip bewitchingly unique. Here in the forest, the inhabitants maintain a standard of madness where total irrelevance is the only relevancy. The strip is simply a loony-bin where what’s said and done often makes no sense whatsoever, much to the joy of its millions of fans.
Somewhere in this great nation is a top-secret government agency in charge of providing aid to America's nonhuman citizenry. Perpetually overworked and underpaid, these dedicated civil servants soldier on with a dedication exceeded only by their respective passions for heavy rifles, stylish footwear, and good sturdy squeaky toys. They're not our country's best nor our country's brightest, but to all the lost and lonely creations of misguided science wandering the wild places of this country, they are a beacon of minimum-wage hope. This is their story.
Shaenon K. Garrity and Jeffrey C. Wells
Behold, an un-pale horse with no name. Oh, wait. His name is Horace. And he's sarcastic. And silly. And lives in an infinitely expandable world. And sometimes gets slapstuck. And day after unpredictable day he boldly goes where no horse -- let alone a comic strip -- has gone before. Yes, there are sidekicks; a bird, a lady horse, a never-seen neighbor. And if the post-it note did not exist, Samson would have had to invent it so Horace would have yellow panels in which to play. Welcome to the bright side of the world. May the horse be with you.
Dark Side of the Horse
Once upon a time there was a duplex where a young bachelor named Eno and his dog, Fang, shared an ultra-macho haven of beer snacks and male-bonding. Suddenly, their lives turned co-ed when Gina and her poodle, Mitzi, moved into the other half of their building... the question is, who will come out on top in Glenn McCoy's The Duplex?
Glenn McCoy and Gary McCoy
The thinking man's cartoon -- a wry look at the absurdities of everyday life.
Andy and his wife, Flo, live out the epitome of functional dysfunction. From the pub to the bedroom, Andy’s misadventures paint an indelible portrait of an extremely British battle of the sexes. Join Andy and Flo as they bicker their way through life. Their banter can be hostile, caring, sarcastic and adorable: the perfect ingredients for a lasting marriage.
Jim Benton, the author and artist behind It's Happy Bunny, Dear Dumb Diary, Franny K. Stein, So Totally True, and more, is proud to have his cartoons shared on GoComics.com. Benton loves to experiment, and his cartoons shift directions from day to day.
Jim Benton Cartoons
Packed with humor and heart, Jump Start is a modern family comic strip with a classic feel. At the core of the Jump Start family is Joe Cobb, a big-city cop, and his wife, Marcy, a nurse in a bustling Philadelphia hospital. Their jobs are easy compared to the challenge of raising four kids.
Dave Whamond offers an offbeat view of the world in Reality Check, a panel strip that exposes the hidden hilarity in everyday situations. Whamond explains, "I just frame some of the silliness of everyday life and invite people to do a double-take."