The Adventure Comic Strip is Back -- With a Twist -- in "Rip Haywire." Rip Haywire is a danger- and cheese-loving man of action with a growing family, a dog, and a whole host of goons and villains gunning for him. The wisecracks fly faster than the bullets.
The Stones are an extended, blended family living in two high-energy households where only the agile survive.
Dave Coverly admits there is no overriding theme, no tidy little philosophy that precisely describes what Speed Bump is about. "Basically," he says, "if life were a movie, these would be the outtakes."
Thatababy's philosophy can be summed up quite neatly: To keep his parents on their toes. This new comic strip stars - well, a baby, of course, and the mother and father in charge of raising him. Thatababy's premise is as fun and instantly accessible as its crisp, colorful art: It's a baby's job to drive parent's crazy. You may recognize Thatababy as a finalist and runner-up in the Amazon Comic Strip Superstar contest that ran on Amazon.com in the fall of 2009. Thatababy received glowing reviews from the contest's celebrity panel of judges.
Most children would be terrified by monsters under the bed, rogue cyborgs, destructive aliens and dicey nuclear experiments. But Lio is not your average kid. Mark Tatulli renders this pantomime strip in a pen-and-ink style that matches the strips' dark humor and imaginative spirit.
Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
One of the most famous and popular comic strips of all time, Bill Watterson's Calvin and Hobbes has been a timeless worldwide favorite since its introduction in 1985. The beloved comic follows the richly imaginative adventures of 6-year-old Calvin and his trusty tiger, Hobbes. Whether you enjoyed it as a child while expanding your vocabulary, as an adult in the newspaper or if you are reacquainting yourself with these cultural icons, Calvin and Hobbes will continue to astound and delight you. Follow the official Calvin and Hobbes accounts on Facebook and Twitter to hear about publishing news, events and giveaways involving a boy, his pet tiger and their brilliant creator.
Calvin and Hobbes
Richard Thompson's Cul de Sac is a light-hearted comic strip centered around Alice and her suburban life experiences on a cul-de-sac with her friends Beni and Dill, older brother Petey and her classmates at Blisshaven Academy pre-school.
Cul de Sac
The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart
Pickles, syndicated by The Washington Post Writers Group for more than 15 years, tells the story of Earl and Opal Pickles as they enjoy their golden years surrounded by friends and family. A perennial favorite with readers of all ages, Pickles has topped comics polls across the nation again and again, and was named the best comic strip of 2001 by the National Cartoonists’ Society.