Robbie and Bobby have an indestructible friendship--which is the best kind of friendship for a robot and a boy to have! They utilize the scientifically-proven buddy system to weather the slings and arrows of life: bee-bearded pirates, ice cream demons, Edgar Allen Poe, and anthropomorphic roaches. Robbie and Bobby is usually a gag-a-day comic, but sometimes our duo embark on adventurous story arcs. The first strip was originally published in 2003. Visit the archives at robbieandbobby.com to read nearly 1,000 strips that have been drawn since.
Robbie and Bobby
Lunarbaboon chronicles the daily struggles of a 30 something father dealing with depression, anxiety, and raising a family. It is a tribute to the bond between father and child, as well as husband and wife. The comic is meant to be read by mature adults who have playful imaginations and don't take life too seriously.
Pickles, syndicated by The Washington Post Writers Group for more than 15 years, tells the story of Earl and Opal Pickles as they enjoy their golden years surrounded by friends and family. A perennial favorite with readers of all ages, Pickles has topped comics polls across the nation again and again, and was named the best comic strip of 2001 by the National Cartoonists’ Society.
Behold, two rabbits: Eightball, an ever-upbeat offbeat optimist, and Weenus, sarcastic and small, one-eyed, bitter. The latter is possessed by an Ignatizian longing for the unobtainable Trixie -- bohemian, reader of existential philosophy, master of the diatonic button accordion. And please take note of the foxes: Pif, rabbit-friend, smarter than he looks, caretaker of Jumpy the flea; and Preston, Pif’s dad, a hardcore carnivore, rabbit-hungry and dangerously dumb. There is beguiling beauty in this strange and colorful world, and also a duck named Doodles. Did we mention the MacGuffin in the briefcase? Let the show begin.
Rabbits Against Magic
A fantastic saga of adventure both high and low, of forbidden passion and iambic pentameter, of fays, fools, organists, demons, accordions, heaven, hell and Shakespeare, Pibgorn follows the whims and flights of its eponymous fairy heroine as she plies her conviction that there must be more to life than depositing dew drops on dandelions and sleeping under mushrooms.
Since 1987, readers have adored the remarkably quiet adventures of Jim as recorded in his daily journal. His work has been collected in several books, including the bestselling "I Went To College and it was okay." Jim's day-to-day meta-observations are penned with little more than stick figures, scribbles, and a few words, but his minimalism speaks volumes.
Savage Chickens began on a rainy day in October 2004 when, after one too many migraines, Doug Savage scribbled two chickens on a sticky note. Thousands of comics later, Savage still draws every comic on a yellow sticky note, and his work covers an eclectic range of topics, including: work, psychology, arachnophobia, pop culture, cats, time travel, love, zombies, and more.
Working Daze follows the employees trapped at MacroMicroMedia. MMM is a wanna-be software giant, and it's staffed by geeks and clueless management types. VP Rita will try anything that might make a little money (though her ideas usually don't.) Underpaid Dana carries he place and keeps it running, while overpaid Ed sleeps all day. Roy and Kathy are made for each other, and everyman Jay never knows when to keep his opinions to himself. Writer/creator John Zakour is a humor/sci-fi writer, whose work includes the Zach Johnson detective novels. Artist Scott Roberts was a longtime contributor to Nickelodeon Magazine, and is the author of the fantasy novel The Troubling Stone. John and Scott met when they both worked on the Rugrats newspaper strip.
John Zakour and Scott Roberts
Pooch Cafe is the story of a cheese-loving, squirrel-fearing, kibble-desiring, toilet-drinking mutt named Poncho. Unhinged by his master Chaz's marriage to a "cat person," Poncho escapes to Pooch Cafe for some canine camaraderie and to further their plot to rid the Earth of all cats with a giant catapult.
Most children would be terrified by monsters under the bed, rogue cyborgs, destructive aliens and dicey nuclear experiments. But Lio is not your average kid. Mark Tatulli renders this pantomime strip in a pen-and-ink style that matches the strips' dark humor and imaginative spirit.