Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Lalo Alcaraz, award-winning editorial cartoonist and Latino journalist, captures the essence of the country's changing cultural and political landscape. Alcaraz's work appears in newspapers around the country, including LA Weekly and La Opinion.
Joe Heller has been the staff editorial cartoonist for the Green Bay Press-Gazette since 1985. His cartoons appear in more than 350 publications, making him the most self-syndicated cartoonist in the nation.
Joel Pett is a three-time finalist for Pulitzer Prize for cartooning. He won the award in 2000. He joined Lexington Herald-Leader in 1984 and USAToday as contributing cartoonist in 2002.
Jen Sorensen has been doing a weekly editorial comic since 1998. Since its start, she has won numerous awards (including seven from the Association of Alternative Newsweeklies) and was a finalist for the Herblock Prize in 2012. In 2013, Sorensen won the prestigious Reuben Award in the Editorial Cartoon division. Her work has appeared in the Village Voice, L.A. Times, Daily Kos, MAD Magazine, Nickelodeon Magazine and many, many more. Her art is vibrant and precise, and her commentary is razor sharp. Populated by recurring characters and a caustic wit, this is not a comic for the fainthearted.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."