Willie Mctell's Profile
willie_mctell Free
Arrived on Earth as an infant. A tiny rocket landed in my foster parents' back yard. They opened it and found a tiny life form inside. They raised it as their own. Sadly, I have no super powers except the ability to annoy others.
Comics I Follow
Tim Campbell
Strange Brew
By John Deering
1 and Done
By Eric Scott
Back in the Day
By Eric Scott
Liberty Meadows
By Frank Cho
Nick Anderson
Joel Pett
Clay Jones
John Deering
Phoebe and Her Unicorn
By Dana Simpson
Ten Cats
By Graham Harrop
Saturday Morning Breakfast Cereal
By Zach Weinersmith
Bad Machinery
By John Allison
Petunia & Dre
By Allison Garwood
Working Daze
By John Zakour and Scott Roberts
Junk Drawer
By Ellis Rosen
Kliban's Cats
By B. Kliban
Matt Davies
Matt Wuerker
Mike Luckovich
Clay Bennett
Rob Rogers
Drew Sheneman
Jen Sorensen
Bliss
By Harry Bliss
Adult Children
By Stephen Beals
The Worried Well
By Dana Maier
@Tavicat
By Rikki Simons and Tavisha Wolfgarth-Simons
Liz Climo Cartoons
By Liz Climo
Jane's World
By Paige Braddock
Angry Little Girls
By Lela Lee
Nancy
By Olivia Jaimes
Nick and Zuzu
By Nick Galifianakis
Lug Nuts
By J.C. Duffy
C'est la Vie
By Jennifer Babcock
Scary Gary
By Mark Buford
The Fusco Brothers
By J.C. Duffy
Lio
By Mark Tatulli
Non Sequitur
By Wiley Miller
Pearls Before Swine
By Stephan Pastis
Super-Fun-Pak Comix
By Ruben Bolling
Tom the Dancing Bug
By Ruben Bolling
Ink Pen
By Phil Dunlap
Doonesbury
By Garry Trudeau
Family Tree
By Signe Wilkinson
Frog Applause
By Teresa Burritt
Calvin and Hobbes
By Bill Watterson
Scenes from a Multiverse
By Jon Rosenberg
Goats
By Jon Rosenberg
Kid Beowulf
By Alexis E. Fajardo
Lay Lines
By Carol Lay
Poorly Drawn Lines
By Reza Farazmand
Sylvia
By Nicole Hollander
Amanda the Great
By Amanda El-Dweek
Breaking Cat News
By Georgia Dunn
Snow Sez
By T. Shepherd
Brian McFadden
Eyebeam
By Sam Hurt
Berkeley Mews
By Ben Zaehringer
False Knees
By Joshua Barkman
About 10 years ago I heard an interview with a well known retired country music producer whose name I forget. The interviewer asked him what the biggest change in music production had been since he retired. He replied, “Autotune.” He went on to say that when he was working he insisted on singers with decent pitch control.