Somewhere in this great nation is a top-secret government agency in charge of providing aid to America's nonhuman citizenry. Perpetually overworked and underpaid, these dedicated civil servants soldier on with a dedication exceeded only by their respective passions for heavy rifles, stylish footwear, and good sturdy squeaky toys. They're not our country's best nor our country's brightest, but to all the lost and lonely creations of misguided science wandering the wild places of this country, they are a beacon of minimum-wage hope. This is their story.
Shaenon K. Garrity and Jeffrey C. Wells
Ink Pen: the insider’s look at the seedy underbelly of cartoon character employment. Find out what happened to loveable Bixby the Rat! Witness the struggles of Ham Hock, the talking pig, as he tries to break into a business that sees him as nothing more than a slab of meat. Meet (briefly) the plucky sidekicks, thrust into danger by careless superheroes and the villains they duel.
Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
Created by Brad Anderson, the classic comic canine has delighted newspaper readers since 1954. Marm lives with the Winslows, who have what it takes to run with the Big Dog, usually with a minimum of destruction. Sunday strips feature letters from readers about their pets.
Dave Coverly admits there is no overriding theme, no tidy little philosophy that precisely describes what Speed Bump is about. "Basically," he says, "if life were a movie, these would be the outtakes."
"Once every 5 or 10 years, a new comic feature emerges that's truly unique, breaking the mold of the tired, formulaic pack that populates most of the comics page. Mike Du Jour is such a feature. The art alone is a joy to look at, bringing a smile to your face and making you linger on it. That alone makes it special in today's comic field, but coupled with Mike Lester's whimsical, unpredictable wit, MDJ is a daily must-read. Mike Lester is truly a master of comic art." —Wiley Miller, Non Sequitur
Mike du Jour
Most children would be terrified by monsters under the bed, rogue cyborgs, destructive aliens and dicey nuclear experiments. But Lio is not your average kid. Mark Tatulli renders this pantomime strip in a pen-and-ink style that matches the strips' dark humor and imaginative spirit.
Once upon a time there was a duplex where a young bachelor named Eno and his dog, Fang, shared an ultra-macho haven of beer snacks and male-bonding. Suddenly, their lives turned co-ed when Gina and her poodle, Mitzi, moved into the other half of their building... the question is, who will come out on top in Glenn McCoy's The Duplex?
Glenn McCoy and Gary McCoy
Eric the Circle is the world's first draw-it-yourself cartoon. Eric the Circle believes there's an Eric cartoon in everybody - so it's easy to create and share. Eric the Circle also believes that if you create, and your Eric makes money, then you should share in the profits. Eric the Circle wants to bring the world together one circle at a time. He's yours and he's everybody else's. Read more about Eric the Circle, click here.
Eric the Circle
In the days immediately before the digital photography revolution, Bee works as a photo-finishing technician in a one-hour lab in lower Manhattan. To amuse herself, she duplicates—for her own collection—any titillating photographs that happen to pass through her hands. When pictures of a naked corpse are left for processing, Bee’s curiosity goes into high gear. "...Like a Nancy Drew mystery adapted by Brian de Palma...He's a great illustrator, and he tells a convoluted story with economy and flair..." —Nick Hornby, The New York Times “Weirdness abounds in Shutterbug Follies—a giddy, splendid weirdness that makes the book a page-turner…It sits comfortably on a shelf between Daniel Clowes’s Caricature and Kim Deitch’s Boulevard of Broken Dreams.” —Marc Weidenbaum, The Comics Journal ➜ Email Jason Little This comic updates Monday & Thursday