Since 1987, readers have adored the remarkably quiet adventures of Jim as recorded in his daily journal. His work has been collected in several books, including the bestselling "I Went To College and it was okay." Jim's day-to-day meta-observations are penned with little more than stick figures, scribbles, and a few words, but his minimalism speaks volumes.
HERMAN®, the hilarious groundbreaking cartoon feature that appears in hundreds of newspapers worldwide, continues despite the sad passing of creator Jim Unger. Unger, who died in June 2012, left a legacy of more than 8,000 HERMAN comics and a large following that’s still going strong today. In order to keep the laughs coming, Unger passed the comedic torch to cartoonist David Waisglass and illustrator Roly Wood. Waisglass had been working closely with Unger on HERMAN since 1997, when Waisglass stopped work on his own syndicated comic, FARCUS®, to assist his mentor and manage HERMAN. Unger’s outrageous humor and distinct illustrative style was an industry, with millions of HERMAN book collections sold in more than 25 countries. Born in London, Unger floated from job to job — including soldier, policeman, office clerk and repo man — before realizing his phenomenal comedic and drawing talent. In 2010, Wood joined the team to help create new Sunday strips with Waisglass and Unger. Unger told friends and family that he'd never before met anyone who could draw HERMAN as well as, if not better, than himself! Unger loved the new material and began contributing more and more new gags until his death. Although Unger wanted to publicly credit his creative partners, Waisglass and Wood strongly believed that the focus should remain on the work and its originator. The positive response from fans, friends and the entire Unger family has been terrific, encouraging the creative duo to continue the work that Unger started. "Roly and I are deeply committed to honoring Jim's comic legacy and his original brand of cartoon humor," says Waisglass. "It was his greatest wish that HERMAN live on and continue to make us laugh." Universal Uclick distributes the best of Jim Unger's classic cartoons along with new HERMAN material.
Humor gets to go places polite company simply can't. Cornered often wanders into "what if" territory, but it's well worth the risk.
Created by Brad Anderson, the classic comic canine has delighted newspaper readers since 1954. Marm lives with the Winslows, who have what it takes to run with the Big Dog, usually with a minimum of destruction. Sunday strips feature letters from readers about their pets.
Invisible Bread is a comic strip with comics about practically everything! Join the people in the Invisible Bread universe and see how normal, everyday situations can quickly transform into situations that are anything but normal.
Moderately Confused offers a gently absurd and playfully witty take on the vagaries of daily life, technology and politics.
Available daily and Sunday and appearing in 650 newspapers nationwide, Get Fuzzy is a wry portrait of single life, with pets. Rob Wilco is a mild-mannered ad executive; Satchel is his sweet, slightly dim dog; Bucky is their sociopath feline roommate.
Behold, two rabbits: Eightball, an ever-upbeat offbeat optimist, and Weenus, sarcastic and small, one-eyed, bitter. The latter is possessed by an Ignatizian longing for the unobtainable Trixie -- bohemian, reader of existential philosophy, master of the diatonic button accordion. And please take note of the foxes: Pif, rabbit-friend, smarter than he looks, caretaker of Jumpy the flea; and Preston, Pif’s dad, a hardcore carnivore, rabbit-hungry and dangerously dumb. There is beguiling beauty in this strange and colorful world, and also a duck named Doodles. Did we mention the MacGuffin in the briefcase? Let the show begin.
Rabbits Against Magic
Jim Benton, the author and artist behind It's Happy Bunny, Dear Dumb Diary, Franny K. Stein, So Totally True, and more, is proud to have his cartoons shared on GoComics.com. Benton loves to experiment, and his cartoons shift directions from day to day.
Jim Benton Cartoons
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis