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Comics I Follow

9 Chickweed Lane

9 Chickweed Lane

By Brooke McEldowney
Adam@Home

Adam@Home

By Rob Harrell
The Adventures of Business Cat

The Adventures of Business Cat

By Tom Fonder
Agnes

Agnes

By Tony Cochran
Alley Oop

Alley Oop

By Jonathan Lemon and Joey Alison Sayers
Andertoons

Andertoons

By Mark Anderson
Andy Capp

Andy Capp

By Reg Smythe
Animal Crackers

Animal Crackers

By Mike Osbun
The Argyle Sweater

The Argyle Sweater

By Scott Hilburn
Arlo and Janis

Arlo and Janis

By Jimmy Johnson
B.C.

B.C.

By Mastroianni and Hart
Baldo

Baldo

By Hector D. Cantú and Carlos Castellanos
The Barn

The Barn

By Ralph Hagen
Ben

Ben

By Daniel Shelton
Betty

Betty

By Gary Delainey and Gerry Rasmussen
Big Nate

Big Nate

By Lincoln Peirce
Bliss

Bliss

By Harry Bliss
The Born Loser

The Born Loser

By Art and Chip Sansom
Bottom Liners

Bottom Liners

By Eric and Bill Teitelbaum
Bound and Gagged

Bound and Gagged

By Dana Summers
Brewster Rockit

Brewster Rockit

By Tim Rickard
Broom Hilda

Broom Hilda

By Russell Myers
The Buckets

The Buckets

By Greg Cravens
Calvin and Hobbes

Calvin and Hobbes

By Bill Watterson
Close to Home

Close to Home

By John McPherson
Daddy's Home

Daddy's Home

By Tony Rubino and Gary Markstein
Dick Tracy

Dick Tracy

By Mike Curtis and Charles Ettinger
Doonesbury

Doonesbury

By Garry Trudeau
Drabble

Drabble

By Kevin Fagan
The Duplex

The Duplex

By Glenn McCoy
F Minus

F Minus

By Tony Carrillo
Farcus

Farcus

By David Waisglass and Gordon Coulthart
For Better or For Worse

For Better or For Worse

By Lynn Johnston
FoxTrot

FoxTrot

By Bill Amend
Frank and Ernest

Frank and Ernest

By Thaves
Frazz

Frazz

By Jef Mallett
Fred Basset

Fred Basset

By Alex Graham
Garfield

Garfield

By Jim Davis
Gasoline Alley

Gasoline Alley

By Jim Scancarelli
Gil Thorp

Gil Thorp

By Henry Barajas and Rod Whigham
Grand Avenue

Grand Avenue

By Mike Thompson
Heathcliff

Heathcliff

By Peter Gallagher
Herb and Jamaal

Herb and Jamaal

By Stephen Bentley
JumpStart

JumpStart

By Robb Armstrong
Lio

Lio

By Mark Tatulli
Lola

Lola

By Todd Clark
Luann

Luann

By Greg Evans and Karen Evans
Marmaduke

Marmaduke

By Brad Anderson
The Middletons

The Middletons

By Dana Summers
Monty

Monty

By Jim Meddick
Nancy

Nancy

By Olivia Jaimes
Next Door Neighbors

Next Door Neighbors

By Pat Sandy
Non Sequitur

Non Sequitur

By Wiley Miller
Off the Mark

Off the Mark

By Mark Parisi
One Big Happy

One Big Happy

By Rick Detorie
Over the Hedge

Over the Hedge

By T Lewis and Michael Fry
Overboard

Overboard

By Chip Dunham
Peanuts

Peanuts

By Charles Schulz
Pearls Before Swine

Pearls Before Swine

By Stephan Pastis
Pickles

Pickles

By Brian Crane
Pluggers

Pluggers

By Rick McKee
Red and Rover

Red and Rover

By Brian Basset
Rip Haywire

Rip Haywire

By Dan Thompson
Ripley's Believe It or Not

Ripley's Believe It or Not

By Ripley’s Believe It or Not!
Rubes

Rubes

By Leigh Rubin
Shoe

Shoe

By Gary Brookins and Susie MacNelly
Tank McNamara

Tank McNamara

By Bill Hinds
Thatababy

Thatababy

By Paul Trap
Wallace the Brave

Wallace the Brave

By Will Henry
Wizard of Id

Wizard of Id

By Parker and Hart
WuMo

WuMo

By Wulff & Morgenthaler
Ziggy

Ziggy

By Tom Wilson & Tom II

Recent Comments

  1. over 2 years ago on Barney & Clyde

    This is despicable. Imagine making a case for armed robbery. Better, imagine trying to explain the morality behind this strip to a young child. The flat slob who writes this strip should’ve been a criminal defense lawyer.

  2. over 2 years ago on Betty

    That’s a pretty lame oversimplification of “Hemingway’s style.” Just because an author paints a scene that exemplifies racism and doesn’t follow it with some obviously damning commentary doesn’t mean they are endorsing it as a philosophy. Hemingway’s style was never about preaching morality. It was about showing us the rawest parts of life in the starkest of terms. The fact is, most cultures throughout much of the twentieth century were embedded with racism. Hemingway spoke to that truth in a very poignant way. That’s pretty neat that you have one of his cats, though. A friend of mine had a polydactyl cat and that thing was smart as hell.

  3. over 2 years ago on Baldo

    Creepy!

  4. over 2 years ago on Farcus

    Are these all repeats?

  5. over 2 years ago on Brewster Rockit

    But… Miller Lite tastes so good.

  6. over 2 years ago on Broom Hilda

    Shades of George Herriman evident in today’s Broom Hilda…

  7. over 2 years ago on Frazz

    He’s trumpeting his own greatness by expressing a viewpoint of which he may be in favor? By allowing his comic to comment on the human condition? Give me a break. That’s the purpose of good art. An artist who is afraid to go there is doing it wrong. Moreover, you’re the one assuming this to be some negative statement about others. The kid is talking about himself; Mallett is expressing the viewpoint alongside others to give it meaning. I see nothing self congratulatory in these three panels, but only in your comment.

  8. over 2 years ago on Frazz

    Ol’ Papa Hemingway is smiling down on this one… Interesting, too, as it relates to yesterday’s strip: Pheidippides is said to have uttered the words, “Joy to you, we have won” in addressing the Athenian magistrates regarding victory at the battle of Marathon. Of course, he dropped dead thereafter. Lucian relates this story as the “first use of the word ‘joy’ as a greeting.” Thus, it dawned on me that Pheidippides, tasked with delivering the noun, quite literally lived and died by the verb. Run, jump, play… action in itself is a noble and lifelong pursuit. Jef Mallett is a sharp one, methinks.