Ray Toler's Profile
Ray Toler Free
I am a designer, actor and artist living in Chicago. I am winner of the Joseph Jefferson Award for Scenic Design (Chicago version of the Tonys) and have received multiple nominations. My cartooning can be seen in the book Literary Fails by literary agent and TV producer Sharlene Martin (available on Amazon). <p> I am also a character actor who has appeared in several movies including US Marshals, Home Alone, A League of Their Own, and others. You may check me out on IMDB at </p>
The artwork in the Dick Tracy strip has always been stylized (how could it not be with grotesque villains and square jawed heroes?). It always had a unique look on the newspaper comic page. The stories were stylized and meant to be, the artwork was stylized and meant to be, and the characters were stylized and also meant to be (like symbolic archetypes). Bad guys’ evil was manifest in their ugliness. Good guys were square-jawed, straight shooters.
The more realistic the strip appears, the farther away from the vision of Gould, Fletcher, and Locher it becomes and the less unique it looks as a standout on the newspaper comic page. The symbolic melodrama inherent in the strip is gone. Now we argue about points of realism on the chat board and not the points of the story (“Is it Chicago?” “Why didn’t Dick call for backup?” “Who is the driver for the getaway car?” etc.) If a story is presented with the strip’s legacy symbolism in a thrilling cops and robbers style, none of that is relevant. We just accept that Blofield was able to recruit an army in James Bond films. We just accept that Bond villains are ugly or weird in some way and Bond is a handsome straight shooter. Things that draw big discussion here would not even be noticed on most TV or movie cop shows with pace and action.
I also find the artwork shocking and inappropriate when we have characters like Dethany Dendrobia (a Betty Boop wannabe) crossovers alongside Dick Tracy. It is like if suddenly Dagwood and Blondie were drawn in an ultra-realistic style. It doesn’t work anymore. One of the posters here, Farmboy71 pegged the style in which Dick Tracy should be drawn when he called it “cartoonishly realistic.”
IMHO: Dick Tracy stylization does not fit well with Marvel style realistic artwork. Gould created a masterpiece. Why do some people think it needs to be improved upon and resist following what made the strip famous in the first place?