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Comics I Follow

Periquita
By Olivia Jaimes
Baldo en Español
By Hector D. Cantú and Carlos Castellanos
Clay Bennett

For Heaven's Sake
By Mike Morgan
Lio
By Mark Tatulli
Liz Climo Cartoons
By Liz Climo
False Knees
By Joshua Barkman
Nancy
By Olivia Jaimes
Angry Little Girls
By Lela Lee
Tom the Dancing Bug
By Ruben Bolling
Grand Avenue
By Mike Thompson
Non Sequitur
By Wiley Miller
Luann
By Greg Evans and Karen Evans
Rose is Rose
By Don Wimmer and Pat Brady
Calvin and Hobbes
By Bill Watterson
Pickles
By Brian Crane
Peanuts
By Charles Schulz
Heart of the City
By Steenz
Real Life Adventures
By Gary Wise and Lance Aldrich
Zen Pencils
By Gavin Aung Than
Stone Soup
By Jan Eliot
Pearls Before Swine
By Stephan Pastis
Loose Parts
By Dave Blazek
Phoebe and Her Unicorn
By Dana Simpson
JumpStart
By Robb Armstrong
Wee Pals
By Morrie Turner
Baldo
By Hector D. Cantú and Carlos Castellanos
For Better or For Worse
By Lynn Johnston
Peanuts Begins
By Charles Schulz
Jumping into the conversation here (former music ed/voice major). Any double-reed instrumentalist has to make their own reeds. They are very labor-intensive. I took Woodwind Methods twice, including once several years after graduation. I actually enjoyed learning the bassoon, but I’m grateful I didn’t have to make the reeds!