Tom Toles Recommends
Randolph Itch, 2 a.m.
Read Tom Toles from the beginning!
Pulitzer Prize Winner: Editorial Cartooning
A Pulitzer Prize-winning editorial cartoonist, Davies cuts to the chase on every major issue, deftly penetrating the spin and obfuscation to show readers what's really at the heart. His caustic wit combines with a strong moral sensibility to render the complex comprehensible.
Clever and unpredictable, two-time Pulitzer finalist Robert Ariail skewers politicians on both sides of the ideological fence with award-winning cartoons drawn for the Spartanburg, S.C., Herald-Journal.
Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Jeff Danziger provides a scathing international take on politics, finance, and everything else you aren’t allowed to discuss at the dinner table. Combining spot-on caricatures with razor-sharp writing, this feature will make you listen a little more closely to what they tell you on the news.
If an image is worth a thousand words, no one says it more eloquently than Kerry Waghorn. Drawn (no pun intended) from the headlines, Waghorn creates illustrations from national news, international news and the entertainment/sports world.
Faces of the News by Kerry Waghorn
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.