Rob Rogers is the award-winning editorial cartoonist for the Pittsburgh Post-Gazette. He is currently serving as board president of the ToonSeum, a cartoon museum in Pittsburgh, Pennsylvania.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
Joe Heller has been the staff editorial cartoonist for the Green Bay Press-Gazette since 1985. His cartoons appear in more than 350 publications, making him the most self-syndicated cartoonist in the nation.
Two-time Pulitzer Prize-winner Steve Breen is fast developing a reputation for provocative political cartoons that have captured the attention of some of the nation's premier publications. His cartoons regularly appear in The New York Times, USA Today, Newsweek and US News and World Report. His comic strip, Grand Avenue, appears in more than 150 newspapers across the country.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."