Available daily and Sunday and appearing in 650 newspapers nationwide, Get Fuzzy is a wry portrait of single life, with pets. Rob Wilco is a mild-mannered ad executive; Satchel is his sweet, slightly dim dog; Bucky is their sociopath feline roommate.
Ten abandoned cats live in an old warehouse where they are looked after by a young girl named Annie. They include Chesney, the ringleader, Jack, his sidekick, and Oliver - a wide-eyed kitten. The warehouse contains a boardroom on the very top floor, where, unbeknownst to Annie the moggies conduct the world's business through the eyes of a cat. In 2013, Ten Cats, created by Graham Harrop, won the prestigious Reuben Award in the Best Online Comics - Short Form division.
Working Daze follows the employees trapped at MacroMicroMedia. MMM is a wanna-be software giant, and it's staffed by geeks and clueless management types. VP Rita will try anything that might make a little money (though her ideas usually don't.) Underpaid Dana carries he place and keeps it running, while overpaid Ed sleeps all day. Roy and Kathy are made for each other, and everyman Jay never knows when to keep his opinions to himself. Writer/creator John Zakour is a humor/sci-fi writer, whose work includes the Zach Johnson detective novels. Artist Scott Roberts was a longtime contributor to Nickelodeon Magazine, and is the author of the fantasy novel The Troubling Stone. John and Scott met when they both worked on the Rugrats newspaper strip.
John Zakour and Scott Roberts
Through Fowl Language, cartoonist Brian Gordon draws on his trials and tribulations of raising two small children. By poking fun at the daily tedium and frustrations of parenting, he hopes to give comfort to parents who are losing their minds just as quickly as he is. Visit the official website!
Pooch Cafe is the story of a cheese-loving, squirrel-fearing, kibble-desiring, toilet-drinking mutt named Poncho. Unhinged by his master Chaz's marriage to a "cat person," Poncho escapes to Pooch Cafe for some canine camaraderie and to further their plot to rid the Earth of all cats with a giant catapult.
Lovable loser Brutus Thornapple, his wife Gladys, mother-in-law Ramona Gargle, boss Rancid Veeblefester, dim-witted son Wilberforce and the mischievous neighbor Hurricane Hattie O'Hara have been entertaining newspaper readers since 1965.
The Born Loser
Art and Chip Sansom
Artist Joe Staton and writer Mike Curtis co-author "Dick Tracy," the classic comic strip distributed by Tribune Media Services.Created by Chester Gould in 1931, "Dick Tracy" is one of America's most-enduring pop-cultural icons, noteworthy for its steadfast, chisel-jawed hero and the gruesome gallery of villains he and his fearless team of Crimestoppers must outwit to put behind bars. When longtime "Dick Tracy" artist and writer Dick Locher retired from the strip after 32 years of meritorious service, fans Staton and Curtis jumped at the chance to don the yellow fedora and trench coat. Staton has been drawing comic books for many years and has more than 1,000 credits under his belt. Curtis, who has been writing comics since 1986, is the only former law-enforcement officer to work on "Dick Tracy." Both creators are excited about the new--and dangerous--adventures they have in store for Dick Tracy and his Crimestoppers.
Joe Staton and Mike Curtis
Frank and Ernest chronicles the antics of two ordinary guys who are anything but ordinary. They appear in different settings and time periods, occasionally showing up as things rather than people. Punny, whimsical and hard to predict, Frank and Ernest has been a funny pages favorite since 1972.
Frank and Ernest
Lynn Johnston's heartwarming tales of everyday life have made the Pattersons North America's most beloved cartoon family.
For Better or For Worse
Somewhere in this great nation is a top-secret government agency in charge of providing aid to America's nonhuman citizenry. Perpetually overworked and underpaid, these dedicated civil servants soldier on with a dedication exceeded only by their respective passions for heavy rifles, stylish footwear, and good sturdy squeaky toys. They're not our country's best nor our country's brightest, but to all the lost and lonely creations of misguided science wandering the wild places of this country, they are a beacon of minimum-wage hope. This is their story.
Shaenon K. Garrity and Jeffrey C. Wells