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Pulitzer Prize Finalist: Editorial Cartooning
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Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Clever and unpredictable, two-time Pulitzer finalist Robert Ariail skewers politicians on both sides of the ideological fence with award-winning cartoons drawn for the Spartanburg, S.C., Herald-Journal.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Darrin Bell challenges social, political and cultural assumptions. His award-winning work navigates issues such as civil rights, pop culture, family, science fiction, scriptural wisdom and nihilist philosophy while often casting subjects in roles that are traditionally denied them. According to Darrin, "I cast against type to tell dynamic stories, of people who're bold enough and secure enough to challenge preconceptions. I depict that as the true legacy of America, in everything from its explorers, to its democratic-republican form of government, to its civil rights struggle, to its injection of mankind into space, to its musical innovations. There’s nothing more fundamentally all-American than a square peg that insists on filling a round hole." Darrin also creates the comic strips Candorville and Rudy Park.
Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
A Pulitzer Prize-winning editorial cartoonist, Davies cuts to the chase on every major issue, deftly penetrating the spin and obfuscation to show readers what's really at the heart. His caustic wit combines with a strong moral sensibility to render the complex comprehensible.
If an image is worth a thousand words, no one says it more eloquently than Kerry Waghorn. Drawn (no pun intended) from the headlines, Waghorn creates illustrations from national news, international news and the entertainment/sports world.
Faces of the News by Kerry Waghorn