Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.
Joe Heller has been the staff editorial cartoonist for the Green Bay Press-Gazette since 1985. His cartoons appear in more than 350 publications, making him the most self-syndicated cartoonist in the nation.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
Award-winning editorial cartoons that blend humor and artistry to deliver serious social commentary.
Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.
Rob Rogers is the award-winning editorial cartoonist for the Pittsburgh Post-Gazette. He is currently serving as board president of the ToonSeum, a cartoon museum in Pittsburgh, Pennsylvania.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Darrin Bell challenges social, political and cultural assumptions. His award-winning work navigates issues such as civil rights, pop culture, family, science fiction, scriptural wisdom and nihilist philosophy while often casting subjects in roles that are traditionally denied them. According to Darrin, "I cast against type to tell dynamic stories, of people who're bold enough and secure enough to challenge preconceptions. I depict that as the true legacy of America, in everything from its explorers, to its democratic-republican form of government, to its civil rights struggle, to its injection of mankind into space, to its musical innovations. There’s nothing more fundamentally all-American than a square peg that insists on filling a round hole." Darrin also creates the comic strips Candorville and Rudy Park.