Pulitzer Prize-winning editorial cartoonist for The Washington Post.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
Staff cartoonist for the Boston Herald since 1986, Holbert serves up solid conservative commentary, delivered with a smile.
Jen Sorensen has been doing a weekly editorial comic since 1998. Since its start, she has won numerous awards (including seven from the Association of Alternative Newsweeklies) and was a finalist for the Herblock Prize in 2012. In 2013, Sorensen won the prestigious Reuben Award in the Editorial Cartoon division. Her work has appeared in the Village Voice, L.A. Times, Daily Kos, MAD Magazine, Nickelodeon Magazine and many, many more. Her art is vibrant and precise, and her commentary is razor sharp. Populated by recurring characters and a caustic wit, this is not a comic for the fainthearted.
A Pulitzer Prize-winning editorial cartoonist, Davies cuts to the chase on every major issue, deftly penetrating the spin and obfuscation to show readers what's really at the heart. His caustic wit combines with a strong moral sensibility to render the complex comprehensible.
If an image is worth a thousand words, no one says it more eloquently than Kerry Waghorn. Drawn (no pun intended) from the headlines, Waghorn creates illustrations from national news, international news and the entertainment/sports world.
Faces of the News by Kerry Waghorn
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."