Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Staff cartoonist for the Boston Herald since 1986, Holbert serves up solid conservative commentary, delivered with a smile.
Jen Sorensen has been doing a weekly editorial comic since 1998. Since its start, she has won numerous awards (including seven from the Association of Alternative Newsweeklies) and was a finalist for the Herblock Prize in 2012. In 2013, Sorensen won the prestigious Reuben Award in the Editorial Cartoon division. Her work has appeared in the Village Voice, L.A. Times, Daily Kos, MAD Magazine, Nickelodeon Magazine and many, many more. Her art is vibrant and precise, and her commentary is razor sharp. Populated by recurring characters and a caustic wit, this is not a comic for the fainthearted.
Lalo Alcaraz, award-winning editorial cartoonist and Latino journalist, captures the essence of the country's changing cultural and political landscape. Alcaraz's work appears in newspapers around the country, including LA Weekly and La Opinion.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."