Pulitzer Prize Winner: Editorial Cartooning
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.
Rob Rogers is the award-winning editorial cartoonist for the Pittsburgh Post-Gazette. He is currently serving as board president of the ToonSeum, a cartoon museum in Pittsburgh, Pennsylvania.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Gary Varvel is the editorial cartoonist for The Indianapolis Star. His cartoons are nationally syndicated through Creators Syndicate and have appeared on CNN and in Newsweek, The New York Times, USA Today, Washington Times, National Review, World magazine and Sports Illustrated.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Signe Wilkinson's honors include the 1992 Pulitzer Prize for editorial cartooning (the first woman to win this award), the 1997, 2001 and 2007 Overseas Press Club Award, the 2002 RFK Award and she has the distinction of having been named "the Pennsylvania state vegetable substitute" by the former speaker of the Pennsylvania House of Representatives. Her cartoons are syndicated by the Washington Post Writers Group.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.