Pulitzer Prize Winner: Editorial Cartooning
Jeff Danziger provides a scathing international take on politics, finance, and everything else you aren’t allowed to discuss at the dinner table. Combining spot-on caricatures with razor-sharp writing, this feature will make you listen a little more closely to what they tell you on the news.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Rob Rogers is the award-winning editorial cartoonist for the Pittsburgh Post-Gazette. He is currently serving as board president of the ToonSeum, a cartoon museum in Pittsburgh, Pennsylvania.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Award-winning editorial cartoons that blend humor and artistry to deliver serious social commentary.
Signe Wilkinson's honors include the 1992 Pulitzer Prize for editorial cartooning (the first woman to win this award), the 1997, 2001 and 2007 Overseas Press Club Award, the 2002 RFK Award and she has the distinction of having been named "the Pennsylvania state vegetable substitute" by the former speaker of the Pennsylvania House of Representatives. Her cartoons are syndicated by the Washington Post Writers Group.
Staff cartoonist for the Boston Herald since 1986, Holbert serves up solid conservative commentary, delivered with a smile.
Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."