Savage Chickens began on a rainy day in October 2004 when, after one too many migraines, Doug Savage scribbled two chickens on a sticky note. Thousands of comics later, Savage still draws every comic on a yellow sticky note, and his work covers an eclectic range of topics, including: work, psychology, arachnophobia, pop culture, cats, time travel, love, zombies, and more.
The thinking man's cartoon -- a wry look at the absurdities of everyday life.
Moderately Confused offers a gently absurd and playfully witty take on the vagaries of daily life, technology and politics.
Working Daze follows the employees trapped at MacroMicroMedia. MMM is a wanna-be software giant, and it's staffed by geeks and clueless management types. VP Rita will try anything that might make a little money (though her ideas usually don't.) Underpaid Dana carries he place and keeps it running, while overpaid Ed sleeps all day. Roy and Kathy are made for each other, and everyman Jay never knows when to keep his opinions to himself. Writer/creator John Zakour is a humor/sci-fi writer, whose work includes the Zach Johnson detective novels. Artist Scott Roberts was a longtime contributor to Nickelodeon Magazine, and is the author of the fantasy novel The Troubling Stone. John and Scott met when they both worked on the Rugrats newspaper strip.
John Zakour and Scott Roberts
The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart
Somewhere in this great nation is a top-secret government agency in charge of providing aid to America's nonhuman citizenry. Perpetually overworked and underpaid, these dedicated civil servants soldier on with a dedication exceeded only by their respective passions for heavy rifles, stylish footwear, and good sturdy squeaky toys. They're not our country's best nor our country's brightest, but to all the lost and lonely creations of misguided science wandering the wild places of this country, they are a beacon of minimum-wage hope. This is their story.
Shaenon K. Garrity and Jeffrey C. Wells
Frank and Ernest chronicles the antics of two ordinary guys who are anything but ordinary. They appear in different settings and time periods, occasionally showing up as things rather than people. Punny, whimsical and hard to predict, Frank and Ernest has been a funny pages favorite since 1972.
Frank and Ernest
Since 1987, readers have adored the remarkably quiet adventures of Jim as recorded in his daily journal. His work has been collected in several books, including the bestselling "I Went To College and it was okay." Jim's day-to-day meta-observations are penned with little more than stick figures, scribbles, and a few words, but his minimalism speaks volumes.
HERMAN®, the hilarious groundbreaking cartoon feature that appears in hundreds of newspapers worldwide, continues despite the sad passing of creator Jim Unger. Unger, who died in June 2012, left a legacy of more than 8,000 HERMAN comics and a large following that’s still going strong today. In order to keep the laughs coming, Unger passed the comedic torch to cartoonist David Waisglass and illustrator Roly Wood. Waisglass had been working closely with Unger on HERMAN since 1997, when Waisglass stopped work on his own syndicated comic, FARCUS®, to assist his mentor and manage HERMAN. Unger’s outrageous humor and distinct illustrative style was an industry, with millions of HERMAN book collections sold in more than 25 countries. Born in London, Unger floated from job to job — including soldier, policeman, office clerk and repo man — before realizing his phenomenal comedic and drawing talent. In 2010, Wood joined the team to help create new Sunday strips with Waisglass and Unger. Unger told friends and family that he'd never before met anyone who could draw HERMAN as well as, if not better, than himself! Unger loved the new material and began contributing more and more new gags until his death. Although Unger wanted to publicly credit his creative partners, Waisglass and Wood strongly believed that the focus should remain on the work and its originator. The positive response from fans, friends and the entire Unger family has been terrific, encouraging the creative duo to continue the work that Unger started. "Roly and I are deeply committed to honoring Jim's comic legacy and his original brand of cartoon humor," says Waisglass. "It was his greatest wish that HERMAN live on and continue to make us laugh." Universal Uclick distributes the best of Jim Unger's classic cartoons along with new HERMAN material.
Living in an enchanted forest with surrealistic landscapes, the engaging characters of Broom Hilda happily have no connection with reality. Other comic characters are extensions or distortions of reality, but Broom Hilda deals in pure fantasy, making the strip bewitchingly unique. Here in the forest, the inhabitants maintain a standard of madness where total irrelevance is the only relevancy. The strip is simply a loony-bin where what’s said and done often makes no sense whatsoever, much to the joy of its millions of fans.