From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.
Joel Pett is a three-time finalist for Pulitzer Prize for cartooning. He won the award in 2000. He joined Lexington Herald-Leader in 1984 and USAToday as contributing cartoonist in 2002.
Lalo Alcaraz, award-winning editorial cartoonist and Latino journalist, captures the essence of the country's changing cultural and political landscape. Alcaraz's work appears in newspapers around the country, including LA Weekly and La Opinion.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
A nominated finalist for the Pulitzer 6 times since 1999, Chattanooga Times Free Press cartoonist Clay Bennett won the Prize in 2002. He has also earned just about every other editorial cartoon award there is, including the Robert F. Kennedy Journalism Award, the John Fischetti Editorial Cartoon Competition, the Overseas Press Club's Thomas Nast Award, the National Headliner Award, the Society of Professional Journalists' Sigma Delta Chi Award, the National Journalism Award from the Scripps Howard Foundation, and the National Cartoonists Society Division Award for Best Editorial Cartoons. Bennett was also named Editorial Cartoonist of the Year by Editor & Publisher magazine in 2001.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."