Guy Gilchrist Recommends
Random Acts of Nancy
Guy Gilchrist and John Lotshaw
Guy Gilchrist Recommends
Guy Gilchrist (Nancy, Random Acts of Nancy, Today's Dogg)
Dinosaur Comics is a comic where the pictures never change, but the words do! IT'S HONESTLY BETTER THAN IT SOUNDS. T-Rex, Utahraptor, Dromiceiomimus and friends discuss Very Important Things, ranging from the nature of love all the way to whether or not who smelt it is truly the same as whosoever dealt it. (This hasn't actually happened in the comic, but it's actually not a bad idea).
Through Fowl Language, cartoonist Brian Gordon draws on his trials and tribulations of raising two small children. By poking fun at the daily tedium and frustrations of parenting, he hopes to give comfort to parents who are losing their minds just as quickly as he is. Visit the official website!
The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart
Created by Brad Anderson, the classic comic canine has delighted newspaper readers since 1954. Marm lives with the Winslows, who have what it takes to run with the Big Dog, usually with a minimum of destruction. Sunday strips feature letters from readers about their pets.
Working Daze follows the employees trapped at MacroMicroMedia. MMM is a wanna-be software giant, and it's staffed by geeks and clueless management types. VP Rita will try anything that might make a little money (though her ideas usually don't.) Underpaid Dana carries he place and keeps it running, while overpaid Ed sleeps all day. Roy and Kathy are made for each other, and everyman Jay never knows when to keep his opinions to himself. Writer/creator John Zakour is a humor/sci-fi writer, whose work includes the Zach Johnson detective novels. Artist Scott Roberts was a longtime contributor to Nickelodeon Magazine, and is the author of the fantasy novel The Troubling Stone. John and Scott met when they both worked on the Rugrats newspaper strip.
John Zakour and Scott Roberts
Tired of art snobs and their stuffy old museums? So was Steve Melcher, so he created That Is Priceless -- dedicated to taking art’s greatest masterpieces down a peg with irreverent new titles. You don’t have to be an art lover to appreciate Steve’s sticking it to the man on a regular basis – especially when that man is someone like Caravaggio, who when you look a little closer, was really kind of a jerk.
That is Priceless
Behold, two rabbits: Eightball, an ever-upbeat offbeat optimist, and Weenus, sarcastic and small, one-eyed, bitter. The latter is possessed by an Ignatizian longing for the unobtainable Trixie -- bohemian, reader of existential philosophy, master of the diatonic button accordion. And please take note of the foxes: Pif, rabbit-friend, smarter than he looks, caretaker of Jumpy the flea; and Preston, Pif’s dad, a hardcore carnivore, rabbit-hungry and dangerously dumb. There is beguiling beauty in this strange and colorful world, and also a duck named Doodles. Did we mention the MacGuffin in the briefcase? Let the show begin.
Rabbits Against Magic
Pooch Cafe is the story of a cheese-loving, squirrel-fearing, kibble-desiring, toilet-drinking mutt named Poncho. Unhinged by his master Chaz's marriage to a "cat person," Poncho escapes to Pooch Cafe for some canine camaraderie and to further their plot to rid the Earth of all cats with a giant catapult.
Pickles, syndicated by The Washington Post Writers Group for more than 15 years, tells the story of Earl and Opal Pickles as they enjoy their golden years surrounded by friends and family. A perennial favorite with readers of all ages, Pickles has topped comics polls across the nation again and again, and was named the best comic strip of 2001 by the National Cartoonists’ Society.