Pulitzer Prize-winning editorial cartoonist for The Washington Post.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.
Joel Pett is a three-time finalist for Pulitzer Prize for cartooning. He won the award in 2000. He joined Lexington Herald-Leader in 1984 and USAToday as contributing cartoonist in 2002.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
A nominated finalist for the Pulitzer 6 times since 1999, Chattanooga Times Free Press cartoonist Clay Bennett won the Prize in 2002. He has also earned just about every other editorial cartoon award there is, including the Robert F. Kennedy Journalism Award, the John Fischetti Editorial Cartoon Competition, the Overseas Press Club's Thomas Nast Award, the National Headliner Award, the Society of Professional Journalists' Sigma Delta Chi Award, the National Journalism Award from the Scripps Howard Foundation, and the National Cartoonists Society Division Award for Best Editorial Cartoons. Bennett was also named Editorial Cartoonist of the Year by Editor & Publisher magazine in 2001.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
For more than two decades, political cartoonist Steve Kelley has devoted his attention to public officials the way the radiator grille of a tractor-trailer might devote its attention to June bugs. He has delighted readers by consistently consigning office-holders to the one fate they fear most: that of not being taken seriously.