Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
Clay Jones, who was formerly represented by Creators Syndicate, is now self-syndicating his cartoons nationally. He was previously on staff with the Free Lance-Star in Fredericksburg, Va., and the Star-Advertiser in Honolulu. Clay is an independent who points out the absurdity in the absurd in political and social issues. He believes humor is as much a tool as pen and ink to get his point across. He's been making readers laugh and become infuriated since 1990.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.