Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
Two-time Pulitzer Prize-winner Steve Breen is fast developing a reputation for provocative political cartoons that have captured the attention of some of the nation's premier publications. His cartoons regularly appear in The New York Times, USA Today, Newsweek and US News and World Report. His comic strip, Grand Avenue, appears in more than 150 newspapers across the country.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.
Pulitzer Prize-winning editorial cartoonist for The Washington Post.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
At 19, Jack Ohman was the youngest syndicated editorial cartoonist in the United States, ever. Now he is one of America’s syndicated middle-aged editorial cartoonists. His work appears in over 300 newspapers.