According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Award-winning editorial cartoons that blend humor and artistry to deliver serious social commentary.
Mike Luckovich, editorial cartoonist of The Atlanta Journal-Constitution, won the 1995 Pulitzer Prize for cartooning. His work also appears in Time, the New York Times and other media. He is distributed nationally by Creators Syndicate.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Nick Anderson of the Houston Chronicle is an avowed independent who covers politics and contemporary cultural issues in a way that connects with readers. His loose, idiosyncratic style carries with it an unconventional message that has broad appeal. "I approach my work with a healthy skepticism for the ideological extremists littering our political landscape," explains Anderson.
Pulitzer Prize-winning editorial cartoonist for The Washington Post.
Clay Jones, who was formerly represented by Creators Syndicate, is now self-syndicating his cartoons nationally. He was previously on staff with the Free Lance-Star in Fredericksburg, Va., and the Star-Advertiser in Honolulu. Clay is an independent who points out the absurdity in the absurd in political and social issues. He believes humor is as much a tool as pen and ink to get his point across. He's been making readers laugh and become infuriated since 1990.
Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.