Monty Montahue, the brainy, bumbling bachelor who's unlucky in work and love, is the star of this suburbia-spoofing, time-traveling comic strip by Jim Meddick. Monty's quirky adventures often involve his pal Moondog, his hairless cat, Fleshy, trusty cyborg, EB3, and mad scientist, Doc.
Saturday Morning Breakfast Cereal (SMBC) is a daily gag comic about science, love, sex, religion, philosophy, economics, and other topics probably best left to people who know what they're talking about.
Saturday Morning Breakfast Cereal
Nancy was created in the 1930s by Ernie Bushmiller. Since 1995, the strip has been drawn and written by Guy Gilchrist. Nancy is famed for its gentle humor and playful sight gags. Nancy remains a devoted friend to her pal Sluggo, her Aunt Fritzi, and many others. Her childlike innocence never wavers.
Tom the Dancing Bug is a unique hybrid of editorial and comic strip cartooning, beloved by people because of its insightful and hilarious social and political satire. The strip appears weekly in newspapers around the country.
Tom the Dancing Bug
Frazz, by Jef Mallett, follows an unexpected role model: an elementary-school janitor. He's a trusted authority figure, but also a Renaissance man and every kid's buddy.
Jim Benton, the author and artist behind It's Happy Bunny, Dear Dumb Diary, Franny K. Stein, So Totally True, and more, is proud to have his cartoons shared on GoComics.com. Benton loves to experiment, and his cartoons shift directions from day to day.
Jim Benton Cartoons
Invisible Bread is a comic strip with comics about practically everything! Join the people in the Invisible Bread universe and see how normal, everyday situations can quickly transform into situations that are anything but normal.
Lovable loser Brutus Thornapple, his wife Gladys, mother-in-law Ramona Gargle, boss Rancid Veeblefester, dim-witted son Wilberforce and the mischievous neighbor Hurricane Hattie O'Hara have been entertaining newspaper readers since 1965.
The Born Loser
Art and Chip Sansom
Lunarbaboon chronicles the daily struggles of a 30 something father dealing with depression, anxiety, and raising a family. It is a tribute to the bond between father and child, as well as husband and wife. The comic is meant to be read by mature adults who have playful imaginations and don't take life too seriously.
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis