This idiosyncratic single-panel strip takes bizarre and unexpected detours through pop culture and modern society, delighting in witty wordplay, artistic absurdity, and puns so outrageous you'll have to laugh.
John McPherson makes us howl at his adroit mix of everyday settings and extraordinary events. John’s offbeat, oddball characters turn up in familiar places, but their actions are always hilarious and unexpected.
Close to Home
For a family strip with bite, you can't do better than The Grizzwells, starring a four-bear family of grizzlies.
Richard Thompson's Cul de Sac is a light-hearted comic strip centered around Alice and her suburban life experiences on a cul-de-sac with her friends Beni and Dill, older brother Petey and her classmates at Blisshaven Academy pre-school.
Cul de Sac
"Dear Tiny..." So begins each episode of Tiny Sepuku, the world’s number one advice cartoon. Begun in 1997 as a parody of Hello Kitty, by 1999 it had evolved into a full-fledged alt-paper syndicated feature. Creator Ken Cursoe credits the strip’s enthusiastic fans with its success - it is their letters seeking advice and counsel, often on matters of the heart, that inspire his sometimes-whimsical, sometimes-cynical, always surprising strips. Ask a lovelorn question, get a heartfelt, hilarious answer.
Artist Joe Staton and writer Mike Curtis co-author "Dick Tracy," the classic comic strip distributed by Tribune Media Services.Created by Chester Gould in 1931, "Dick Tracy" is one of America's most-enduring pop-cultural icons, noteworthy for its steadfast, chisel-jawed hero and the gruesome gallery of villains he and his fearless team of Crimestoppers must outwit to put behind bars. When longtime "Dick Tracy" artist and writer Dick Locher retired from the strip after 32 years of meritorious service, fans Staton and Curtis jumped at the chance to don the yellow fedora and trench coat. Staton has been drawing comic books for many years and has more than 1,000 credits under his belt. Curtis, who has been writing comics since 1986, is the only former law-enforcement officer to work on "Dick Tracy." Both creators are excited about the new--and dangerous--adventures they have in store for Dick Tracy and his Crimestoppers.
Joe Staton and Mike Curtis
Behold, two rabbits: Eightball, an ever-upbeat offbeat optimist, and Weenus, sarcastic and small, one-eyed, bitter. The latter is possessed by an Ignatizian longing for the unobtainable Trixie -- bohemian, reader of existential philosophy, master of the diatonic button accordion. And please take note of the foxes: Pif, rabbit-friend, smarter than he looks, caretaker of Jumpy the flea; and Preston, Pif’s dad, a hardcore carnivore, rabbit-hungry and dangerously dumb. There is beguiling beauty in this strange and colorful world, and also a duck named Doodles. Did we mention the MacGuffin in the briefcase? Let the show begin.
Rabbits Against Magic
Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
Man overboard! Follow the high-seas misadventures of this shipload of malcontents, incompetents and laggards. Even the mice get into the act.
Dave Whamond offers an offbeat view of the world in Reality Check, a panel strip that exposes the hidden hilarity in everyday situations. Whamond explains, "I just frame some of the silliness of everyday life and invite people to do a double-take."