Jim Davis Recommends
Jim Davis Recommends
Jim Davis - A Hamilton Fan!
"Garfield" Returns, Fully Animated, to the Big Screen
One of the most famous and popular comic strips of all time, Bill Watterson's Calvin and Hobbes has been a timeless worldwide favorite since its introduction in 1985. The beloved comic follows the richly imaginative adventures of 6-year-old Calvin and his trusty tiger, Hobbes. Whether you enjoyed it as a child while expanding your vocabulary, as an adult in the newspaper or if you are reacquainting yourself with these cultural icons, Calvin and Hobbes will continue to astound and delight you. Follow the official Calvin and Hobbes accounts on Facebook and Twitter to hear about publishing news, events and giveaways involving a boy, his pet tiger and their brilliant creator.
Calvin and Hobbes
Pairing vintage comic art with hilarious, new dialog by Disney veteran writer John Lustig, Last Kiss revels in the absurdities of love, lust and 'life with lip.' The series originated when Lustig bought the publishing rights to a romance comic book series from the 50's and 60's, and started rewriting the stories for fun. Since then, the re-dialogued comics have been a popular feature in newspapers, magazines, comic books and greeting cards. Today Last Kiss is gaining popularity and is also available on email cards from Jib Jab and greeting cards from NobleWorks. Check www.lastkissinc.com for the latest news and product launches.
The most beloved comic strip in history is an American cultural icon.
Jim Benton, the author and artist behind It's Happy Bunny, Dear Dumb Diary, Franny K. Stein, So Totally True, and more, is proud to have his cartoons shared on GoComics.com. Benton loves to experiment, and his cartoons shift directions from day to day.
Jim Benton Cartoons
This idiosyncratic single-panel strip takes bizarre and unexpected detours through pop culture and modern society, delighting in witty wordplay, artistic absurdity, and puns so outrageous you'll have to laugh.
F Minus is short on life lessons, precious moments, and pearls of wisdom. Instead, this absurdist single panel comic tackles life's serious issues, pins them to the ground and steals their lunch money. Then it feels a little bit guilty and gives some of it back.
Lovable loser Brutus Thornapple, his wife Gladys, mother-in-law Ramona Gargle, boss Rancid Veeblefester, dim-witted son Wilberforce and the mischievous neighbor Hurricane Hattie O'Hara have been entertaining newspaper readers since 1965.
The Born Loser
Art and Chip Sansom
Savage Chickens began on a rainy day in October 2004 when, after one too many migraines, Doug Savage scribbled two chickens on a sticky note. Thousands of comics later, Savage still draws every comic on a yellow sticky note, and his work covers an eclectic range of topics, including: work, psychology, arachnophobia, pop culture, cats, time travel, love, zombies, and more.
Artist Joe Staton and writer Mike Curtis co-author "Dick Tracy," the classic comic strip distributed by Tribune Media Services.Created by Chester Gould in 1931, "Dick Tracy" is one of America's most-enduring pop-cultural icons, noteworthy for its steadfast, chisel-jawed hero and the gruesome gallery of villains he and his fearless team of Crimestoppers must outwit to put behind bars. When longtime "Dick Tracy" artist and writer Dick Locher retired from the strip after 32 years of meritorious service, fans Staton and Curtis jumped at the chance to don the yellow fedora and trench coat. Staton has been drawing comic books for many years and has more than 1,000 credits under his belt. Curtis, who has been writing comics since 1986, is the only former law-enforcement officer to work on "Dick Tracy." Both creators are excited about the new--and dangerous--adventures they have in store for Dick Tracy and his Crimestoppers.
Joe Staton and Mike Curtis
Somewhere in this great nation is a top-secret government agency in charge of providing aid to America's nonhuman citizenry. Perpetually overworked and underpaid, these dedicated civil servants soldier on with a dedication exceeded only by their respective passions for heavy rifles, stylish footwear, and good sturdy squeaky toys. They're not our country's best nor our country's brightest, but to all the lost and lonely creations of misguided science wandering the wild places of this country, they are a beacon of minimum-wage hope. This is their story.
Shaenon K. Garrity and Jeffrey C. Wells