Lunarbaboon chronicles the daily struggles of a 30 something father dealing with depression, anxiety, and raising a family. It is a tribute to the bond between father and child, as well as husband and wife. The comic is meant to be read by mature adults who have playful imaginations and don't take life too seriously.
Recently widowed Lola moves in with her son, Ray, and his family at his request. The potential disasters of Lola living with her anally retentive adult son and family provide the backdrop for a hilarious story about life. Life according to Lola, that is. Lola is a witty sharpshooter who’s too busy living life to the fullest to worry about political correctness, exercise and proper diet. She’s fiercely independent and struggles with having to live under Ray’s rules…so she doesn’t. A wicked sense of humor and blunt, but often heart-warming honesty are Lola’s tools of trade.
Phoebe and Her Unicorn is the story of a friendship between a little girl and a mythical creature. This strip brings a little bit of warmth magic into a world desperately in need of it. Dana Simpson's beautiful art and sharp humor are a delight.
Phoebe and Her Unicorn
Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
"Once every 5 or 10 years, a new comic feature emerges that's truly unique, breaking the mold of the tired, formulaic pack that populates most of the comics page. Mike Du Jour is such a feature. The art alone is a joy to look at, bringing a smile to your face and making you linger on it. That alone makes it special in today's comic field, but coupled with Mike Lester's whimsical, unpredictable wit, MDJ is a daily must-read. Mike Lester is truly a master of comic art." —Wiley Miller, Non Sequitur
Mike du Jour
The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart
Ten abandoned cats live in an old warehouse where they are looked after by a young girl named Annie. They include Chesney, the ringleader, Jack, his sidekick, and Oliver - a wide-eyed kitten. The warehouse contains a boardroom on the very top floor, where, unbeknownst to Annie the moggies conduct the world's business through the eyes of a cat. In 2013, Ten Cats, created by Graham Harrop, won the prestigious Reuben Award in the Best Online Comics - Short Form division.
The Adventure Comic Strip is Back -- With a Twist -- in "Rip Haywire." Rip Haywire is a danger- and cheese-loving man of action with a growing family, a dog, and a whole host of goons and villains gunning for him. The wisecracks fly faster than the bullets.
Ink Pen: the insider’s look at the seedy underbelly of cartoon character employment. Find out what happened to loveable Bixby the Rat! Witness the struggles of Ham Hock, the talking pig, as he tries to break into a business that sees him as nothing more than a slab of meat. Meet (briefly) the plucky sidekicks, thrust into danger by careless superheroes and the villains they duel.
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis