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Pulitzer Prize-winning editorial cartoonist for The Washington Post.
Cartoonist and illustrator Matt Wuerker, winner of the 2012 Pulitzer Prize for Editorial Cartooning and 2010 Herblock Prize, offers a rich visual style and keen eye on the political circus, served up with cartoons that are both funny and artful.
Mix a snifter of Bill Mauldin, a dash of Jeff McNelly and a very large dollop of common sense, and you begin to get an idea of Lisa Benson’s considerable talent.
Known for his wry sense of humor and thought provoking commentary, nationally syndicated editorial cartoonist Walt Handelsman attacks the pressing issues of the times. His entertaining and insightful cartoons cover topics ranging from national and local politics to social concerns.
A Pulitzer Prize-winning editorial cartoonist, Davies cuts to the chase on every major issue, deftly penetrating the spin and obfuscation to show readers what's really at the heart. His caustic wit combines with a strong moral sensibility to render the complex comprehensible.
Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
Clay Jones, who was formerly represented by Creators Syndicate, is now self-syndicating his cartoons nationally. He was previously on staff with the Free Lance-Star in Fredericksburg, Va., and the Star-Advertiser in Honolulu. Clay is an independent who points out the absurdity in the absurd in political and social issues. He believes humor is as much a tool as pen and ink to get his point across. He's been making readers laugh and become infuriated since 1990.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."