Tired of art snobs and their stuffy old museums? So was Steve Melcher, so he created That Is Priceless -- dedicated to taking art’s greatest masterpieces down a peg with irreverent new titles. You don’t have to be an art lover to appreciate Steve’s sticking it to the man on a regular basis – especially when that man is someone like Caravaggio, who when you look a little closer, was really kind of a jerk.
That is Priceless
Somewhere in this great nation is a top-secret government agency in charge of providing aid to America's nonhuman citizenry. Perpetually overworked and underpaid, these dedicated civil servants soldier on with a dedication exceeded only by their respective passions for heavy rifles, stylish footwear, and good sturdy squeaky toys. They're not our country's best nor our country's brightest, but to all the lost and lonely creations of misguided science wandering the wild places of this country, they are a beacon of minimum-wage hope. This is their story.
Shaenon K. Garrity and Jeffrey C. Wells
Mark Buford's Scary Gary presents an all-too-common problem: vampires in the suburbs. But this vampire isn't out for blood; Gary has turned over a new leaf. Hanging up his cape for good, Gary takes up residence in a quiet community, dragging his less-than-thrilled assistant, Leopold, with him. While Gary embraces the serenity of suburban life, Leopold is always cooking up one plan or another to terrorize the neighborhood. Scary Gary is syndicated by Creators Syndicate.
Brewster Rockit: Space Guy! is a satirical, retro-futuristic comic strip that chronicles the (mis)adventures of the lantern-jawed, lunkheaded, and sometimes childlike Brewster Rockit, captain of the space station R.U. Sirius, and his crew of misfits. Under Brewster’s brave and eternally-optimistic leadership, Pam is the tough and pragmatic second-in-command, Cliff is the completely unqualified engineer, Dr. Mel is the scheming science officer, Agent X is the mysterious government agent who gives them their orders and hides their existence from the world, and Winky is the cute, luckless kid who manages to get hurt a lot.
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis
Big Nate chronicles the humor and misadventures of 11-year-old Nate Wright: sixth-grade renaissance man, aspiring cartoonist, self-described genius, and the all-time record holder for most detentions in school history. Nate and his friends are also the stars of a bestselling book series.
Phoebe and Her Unicorn is the story of a friendship between a little girl and a mythical creature. This strip brings a little bit of warmth magic into a world desperately in need of it. Dana Simpson's beautiful art and sharp humor are a delight.
Phoebe and Her Unicorn
Dilbert by Scott Adams is the most photocopied, pinned-up, downloaded, faxed and e-mailed comic strip in the world. Dubbed "the cartoon hero of the workplace" by The San Francisco Examiner, Dilbert has been syndicated since 1989 and now appears in 2,000 newspapers in 65 countries and 25 languages. Dilbert Classics allows you the luxury of pushing the reset button with us, taking the iconic strip back to its first frames. Starting from the beginning and running each strip in succession from its first day of circulation, join in on the genesis of these stories. We're going to the days of fax and dial-up Internet connection frustration, people!
HERMAN®, the hilarious groundbreaking cartoon feature that appears in hundreds of newspapers worldwide, continues despite the sad passing of creator Jim Unger. Unger, who died in June 2012, left a legacy of more than 8,000 HERMAN comics and a large following that’s still going strong today. In order to keep the laughs coming, Unger passed the comedic torch to cartoonist David Waisglass and illustrator Roly Wood. Waisglass had been working closely with Unger on HERMAN since 1997, when Waisglass stopped work on his own syndicated comic, FARCUS®, to assist his mentor and manage HERMAN. Unger’s outrageous humor and distinct illustrative style was an industry, with millions of HERMAN book collections sold in more than 25 countries. Born in London, Unger floated from job to job — including soldier, policeman, office clerk and repo man — before realizing his phenomenal comedic and drawing talent. In 2010, Wood joined the team to help create new Sunday strips with Waisglass and Unger. Unger told friends and family that he'd never before met anyone who could draw HERMAN as well as, if not better, than himself! Unger loved the new material and began contributing more and more new gags until his death. Although Unger wanted to publicly credit his creative partners, Waisglass and Wood strongly believed that the focus should remain on the work and its originator. The positive response from fans, friends and the entire Unger family has been terrific, encouraging the creative duo to continue the work that Unger started. "Roly and I are deeply committed to honoring Jim's comic legacy and his original brand of cartoon humor," says Waisglass. "It was his greatest wish that HERMAN live on and continue to make us laugh." Universal Uclick distributes the best of Jim Unger's classic cartoons along with new HERMAN material.