Welcome to Snug Harbor! Will Henry's “Wallace the Brave” is a whimsical comic strip that centers around a bold and curious little boy named Wallace, his best friend Spud and the new girl in town, Amelia. Wallace lives in the quaint and funky town of Snug Harbor with his fisherman father, plant loving mother and feral little brother, Sterling. THE CAST: Wallace McClellan: Wallace is a curious and kind little kid. Bold and adventurous, Wallace is always eager to explore. Sterling McClellan: Sterling is Wallace's younger and stranger little brother. Some say he was raised by wolves, others just think he's weird. Mrs McClellan: Wallace's mother is an avid gardener. She is understanding and stern but, like most moms, is a natural problem solver. Mr. McClellan: Wallace's father is a goofy fisherman who likes to have fun...usually at the expense of his children. Spud: Spud is Wallace's best friend. He's been described as a “timid paperweight” and expects a horrific monster around every corner. Amelia: Amelia is the new girl in town and you don't want to mess with her. She is opinionated and a true instigator.
Wallace the Brave
Artist Joe Staton and writer Mike Curtis co-author "Dick Tracy," the classic comic strip distributed by Tribune Media Services.Created by Chester Gould in 1931, "Dick Tracy" is one of America's most-enduring pop-cultural icons, noteworthy for its steadfast, chisel-jawed hero and the gruesome gallery of villains he and his fearless team of Crimestoppers must outwit to put behind bars. When longtime "Dick Tracy" artist and writer Dick Locher retired from the strip after 32 years of meritorious service, fans Staton and Curtis jumped at the chance to don the yellow fedora and trench coat. Staton has been drawing comic books for many years and has more than 1,000 credits under his belt. Curtis, who has been writing comics since 1986, is the only former law-enforcement officer to work on "Dick Tracy." Both creators are excited about the new--and dangerous--adventures they have in store for Dick Tracy and his Crimestoppers.
Joe Staton and Mike Curtis
The legendary hero Tarzan enjoys the distinction of starring in the first adventure comic strip, the first continuity strip and the first strip to appeal to readers for multiple generations. Some of these storylines date back decades, but the ape man's adventures never get old.
Edgar Rice Burroughs
La Cucaracha is a unique strip that provides a view of the world through the lens of its Latino characters and the mind of acclaimed creator Lalo Alcaraz, whose experiences growing up on the U.S./Mexico border inform the satirical wit of the strip.
Mark Buford's Scary Gary presents an all-too-common problem: vampires in the suburbs. But this vampire isn't out for blood; Gary has turned over a new leaf. Hanging up his cape for good, Gary takes up residence in a quiet community, dragging his less-than-thrilled assistant, Leopold, with him. While Gary embraces the serenity of suburban life, Leopold is always cooking up one plan or another to terrorize the neighborhood. Scary Gary is syndicated by Creators Syndicate.
The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart
Slightly skewed and just a little twisted, the one-panel gags of Off the Mark scores a bull’s-eye with readers looking for a laugh, a chortle and even a guffaw.
Off the Mark
For a family strip with bite, you can't do better than The Grizzwells, starring a four-bear family of grizzlies.
Whether they are arguing about The Perfesser’s bad writing or offering each other advice on the opposite sex, Shoe's treetop crew of characters maintains a comical, spirited banter.
Gary Brookins and Susie MacNelly
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis