Scott Stantis is the editorial cartoonist for the Chicago Tribune. His work is syndicated to over 200 newspapers and has been featured by Newsweek, U.S. News and World Report, The New York Daily News, The Los Angeles Times, CNN, "CBS This Morning" and "Nightline." When Scott isn't creating editorial cartoons, he works on his daily comic strip, Prickly City.
From his studio in southeastern New England, Brian McFadden skewers the news and pop culture every week with his irreverent cartoons.
Clever and unpredictable, two-time Pulitzer finalist Robert Ariail skewers politicians on both sides of the ideological fence with award-winning cartoons drawn for the Spartanburg, S.C., Herald-Journal.
From recession woes to social networking, Matt Bors’ cartoons dissect and satirize the ways of the world to make readers think and laugh about the real issues affecting them.
According to veteran Ohio cartoonist Stahler, the most satisfying part of his job is "those days when I can load my ink cannon with fodder faster than I can fire it."
Kevin Kallaugher's work for The Sun and The Economist has appeared in more than 100 publications worldwide, including Le Monde, Der Spiegel, Pravda, Krokodil, Daily Yomiuri, The Australian, New York Times, Time, Newsweek, U.S. News and World Report, and The Washington Post. His cartoons are distributed worldwide by Cartoonarts International and the New York Times Syndicate.
Called "the Thomas Nast of his time" by The National Review magazine, Payne is an informed journalist whose investigative writing has also made national headlines.
Jim Morin’s drawings won the Pulitzer Prize for editorial cartooning in 1996. He shared the Pulitzer in 1983 with other members of the Miami Herald editorial board, and was a Pulitzer finalist in 1977 and 1990. His work is syndicated internationally by the New York Times/CWS Syndicate.
Two-time Pulitzer Prize winner Michael Ramirez combines an encyclopedic knowledge of the news with a captivating drawing style to create consistently outstanding editorial cartoons."Editorial cartoons should be smart and substantive, provocative and informative. They should stir passions and deep emotions. Editorial cartoons should be the catalyst for thought, and frankly speaking, if you can make politicians think, that is an accomplishment in itself."