The Wizard of Id has been enchanting audiences since 1964, but the real wizards behind this comic classic were artist Brant Parker and writer Johnny Hart. The pair began paving the path to the Kingdom of Id in 1950, when Parker, a staff artist for the Binghamton Press in upstate New York, was asked to judge a high school art contest. Among the entrants was a teenager by the name of Johnny Hart, whose work so impressed Parker that he arranged a meeting. Read more about Brant Parker here!
Wizard of Id
Parker and Hart
Packed with humor and heart, Jump Start is a modern family comic strip with a classic feel. At the core of the Jump Start family is Joe Cobb, a big-city cop, and his wife, Marcy, a nurse in a bustling Philadelphia hospital. Their jobs are easy compared to the challenge of raising four kids.
Pickles, syndicated by The Washington Post Writers Group for more than 15 years, tells the story of Earl and Opal Pickles as they enjoy their golden years surrounded by friends and family. A perennial favorite with readers of all ages, Pickles has topped comics polls across the nation again and again, and was named the best comic strip of 2001 by the National Cartoonists’ Society.
Dilbert by Scott Adams is the most photocopied, pinned-up, downloaded, faxed and e-mailed comic strip in the world. Dubbed "the cartoon hero of the workplace" by The San Francisco Examiner, Dilbert has been syndicated since 1989 and now appears in 2,000 newspapers in 65 countries and 25 languages. Dilbert Classics allows you the luxury of pushing the reset button with us, taking the iconic strip back to its first frames. Starting from the beginning and running each strip in succession from its first day of circulation, join in on the genesis of these stories. We're going to the days of fax and dial-up Internet connection frustration, people!
Artist Joe Staton and writer Mike Curtis co-author "Dick Tracy," the classic comic strip distributed by Tribune Media Services.Created by Chester Gould in 1931, "Dick Tracy" is one of America's most-enduring pop-cultural icons, noteworthy for its steadfast, chisel-jawed hero and the gruesome gallery of villains he and his fearless team of Crimestoppers must outwit to put behind bars. When longtime "Dick Tracy" artist and writer Dick Locher retired from the strip after 32 years of meritorious service, fans Staton and Curtis jumped at the chance to don the yellow fedora and trench coat. Staton has been drawing comic books for many years and has more than 1,000 credits under his belt. Curtis, who has been writing comics since 1986, is the only former law-enforcement officer to work on "Dick Tracy." Both creators are excited about the new--and dangerous--adventures they have in store for Dick Tracy and his Crimestoppers.
Joe Staton and Mike Curtis
Since 1987, readers have adored the remarkably quiet adventures of Jim as recorded in his daily journal. His work has been collected in several books, including the bestselling "I Went To College and it was okay." Jim's day-to-day meta-observations are penned with little more than stick figures, scribbles, and a few words, but his minimalism speaks volumes.
Frank and Ernest chronicles the antics of two ordinary guys who are anything but ordinary. They appear in different settings and time periods, occasionally showing up as things rather than people. Punny, whimsical and hard to predict, Frank and Ernest has been a funny pages favorite since 1972.
Frank and Ernest
Lovable loser Brutus Thornapple, his wife Gladys, mother-in-law Ramona Gargle, boss Rancid Veeblefester, dim-witted son Wilberforce and the mischievous neighbor Hurricane Hattie O'Hara have been entertaining newspaper readers since 1965.
The Born Loser
Art and Chip Sansom
Dinosaur Comics is a comic where the pictures never change, but the words do! IT'S HONESTLY BETTER THAN IT SOUNDS. T-Rex, Utahraptor, Dromiceiomimus and friends discuss Very Important Things, ranging from the nature of love all the way to whether or not who smelt it is truly the same as whosoever dealt it. (This hasn't actually happened in the comic, but it's actually not a bad idea).
Arlo and Janis met in the '60s, when love was free, hair was long and the revolution wasn't televised. Now, they try to keep their spirits young, their relationship romantic and their screen time limited in this warm, closely observed and often bawdy look at marriage, family and aging.
Arlo and Janis