Follow the adventures of 10-year-old Red, a boy who dreams of going to space and loves baseball, and his dog Rover, a loyal friend and chaser of squirrels. Whether flying through space, bouncing on the moon, fishing, waiting for Popsicle Pete, or delivering the paper, these two friends do everything together.
Red and Rover
Monty Montahue, the brainy, bumbling bachelor who's unlucky in work and love, is the star of this suburbia-spoofing, time-traveling comic strip by Jim Meddick. Monty's quirky adventures often involve his pal Moondog, his hairless cat, Fleshy, trusty cyborg, EB3, and mad scientist, Doc.
Tired of art snobs and their stuffy old museums? So was Steve Melcher, so he created That Is Priceless -- dedicated to taking art’s greatest masterpieces down a peg with irreverent new titles. You don’t have to be an art lover to appreciate Steve’s sticking it to the man on a regular basis – especially when that man is someone like Caravaggio, who when you look a little closer, was really kind of a jerk.
That is Priceless
Artist Joe Staton and writer Mike Curtis co-author "Dick Tracy," the classic comic strip distributed by Tribune Media Services.Created by Chester Gould in 1931, "Dick Tracy" is one of America's most-enduring pop-cultural icons, noteworthy for its steadfast, chisel-jawed hero and the gruesome gallery of villains he and his fearless team of Crimestoppers must outwit to put behind bars. When longtime "Dick Tracy" artist and writer Dick Locher retired from the strip after 32 years of meritorious service, fans Staton and Curtis jumped at the chance to don the yellow fedora and trench coat. Staton has been drawing comic books for many years and has more than 1,000 credits under his belt. Curtis, who has been writing comics since 1986, is the only former law-enforcement officer to work on "Dick Tracy." Both creators are excited about the new--and dangerous--adventures they have in store for Dick Tracy and his Crimestoppers.
Joe Staton and Mike Curtis
Ripley's Believe It or Not has been presenting the incredible and the unusual in illustrated form since Robert Ripley's first "Champs and Chumps" comic published on Dec. 19, 1918. Currently, B.I.O.N. is illustrated by John Graziano, who has been working as an artist and illustrator since 1983, when he received a certificate in illustration from the Newark School of Fine and Industrial Arts. He has designed trading card sets and a portrait series based on the 1960s cult TV show "Dark Shadows." John has also created comic strips for "Scream Queens" magazine, designed t-shirts graphics and created storyboards and concept drawings for Hollywood films. Researcher Sabrina Sieck works as the voice behind the cartoon, reviewing potential stories, filtering through the hundreds of weekly submissions and putting together the stories for John to bring to life. New submissions are always welcome. Just click here.
Ripley's Believe It or Not
Johnny Hart’s classic strip, B.C., puts a caveman twist on everything. From philosophical ants to punny bits of unconventional wisdom, you’ll see why this strip has been a favorite for so many years.
Mastroianni and Hart
The Argyle Sweater presents a surreal, hilarious (and sometimes punny) look at the world you think you know. Armed with a willingness to explore every edge of the surreal, Scott Hilburn’s creation presents his sharply unique take on history, everyday life and the truly absurd.
The Argyle Sweater
Most children would be terrified by monsters under the bed, rogue cyborgs, destructive aliens and dicey nuclear experiments. But Lio is not your average kid. Mark Tatulli renders this pantomime strip in a pen-and-ink style that matches the strips' dark humor and imaginative spirit.
Moderately Confused offers a gently absurd and playfully witty take on the vagaries of daily life, technology and politics.
Since 1987, readers have adored the remarkably quiet adventures of Jim as recorded in his daily journal. His work has been collected in several books, including the bestselling "I Went To College and it was okay." Jim's day-to-day meta-observations are penned with little more than stick figures, scribbles, and a few words, but his minimalism speaks volumes.